Internships

Theater Clown Training Course – Openclown 2026-2027

From 04 october 2026 to 16 june 2027
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Open-Clown

Theater Clown Training Course – Openclown 2026-2027 Le 04 october 2026

From 04 october 2026 at 00:00 to 13 june 2027

Theater Clown Training Course – Openclown 2026-2027 Le 18 october 2026

Theater Clown Training Course – Openclown 2026-2027 Le 29 november 2026

Theater Clown Training Course – Openclown 2026-2027 Le 10 hanuary 2027

Theater Clown Training Course – Openclown 2026-2027 Le 14 february 2027

Theater Clown Training Course – Openclown 2026-2027 Le 04 april 2027

Theater Clown Training Course – Openclown 2026-2027 Le 23 may 2027

Theater Clown Training Course – Openclown 2026-2027 Le 16 june 2027

Site chapiteau Openclown
285 rue du Léard – Le Champ du Cormier
72170 Beaumont-sur-Sarthe
France

Price

Sunday : 94€ Licence FFEC incluse
Openclown membership required : 20€
Treat yourself to a true immersion in the world of theatrical clowning with the Clown Training Workshop offered by Openclown in Beaumont-sur-Sarthe (Sarthe). Designed as a continuous laboratory for research, practice, and experimentation, this regular event allows participants to develop their creativity, stage presence, and freedom of expression in a supportive, stimulating, and safe environment.

Unlike a one-off workshop, this training is designed as a space for ongoing practice, where everyone can return regularly to deepen their work, consolidate their skills, and develop their clown character. Each session is independent yet part of an overall progression, allowing both beginners and experienced artists to enrich their practice throughout the year.

The workshop is based on the fundamentals of contemporary theatrical clowning: being present in the moment, listening to oneself and others, authenticity, audience engagement, physical commitment, the joy of performance, improvisation, and the pursuit of emotional sincerity. The exercises alternate between warm-ups, group games, individual and group improvisations, physical work, rhythm exploration, developing stage presence, and role-playing scenarios, allowing each participant to discover and enrich their own clowning language.

Each day is designed as a true artistic laboratory where participants can experiment without judgment, take risks, develop their imagination, and explore different facets of their personality through clowning. The emphasis is on individual progress, self-confidence, active listening, and the joy of play, all within a spirit of sharing and respect for each person's pace.

The workshop is led by Nicolas Béatrix, an artist and educator with a particularly rich background. Trained for four years at the Théâtre École du Samovar in Bagnolet, a leading institution for contemporary clowning in France, he also completed training at the Institut National des Arts du Music-Hall in Le Mans as part of a professional training contract with a traveling circus.

Throughout his career, Nicolas Béatrix has enriched his practice with many major figures in live performance. He trained in mime with Catherine Dubois, Yves Marc, Ivan Bacciocchi and Héléna Serra, in burlesque with Ami Hattab, in dance with Brigitte Asselineau, Yumi Fujitani and Maria-Clara Villa Lobo, in the physical performance of clowning with Julien Delime and Pierre-Yves Massip, in circus arts with Pascal Rousseau, as well as in musical work with Christian Têtard and Max Vandervorst.

His career also includes numerous training courses and artistic encounters with Michel Courtemanche, Michel Dallaire, Catherine Germain, Jos Houben, Tom Roos, Hélène Gustin, Charlie Degotte, Michael Égard, Pierre Pilatte, Angel Ramos Sanchez, Michel Cerda, Julien Cottereau, Jean-Michel Guy, Gilles Defacque, André Riot-Sarcey, Antoine Olivier, Alan Fairbairn, Franck Dinet, Cédric Paga, Gabriel Chamé, Alexandre Pavlata and Pavel Mansurov, all experiences which today nourish a particularly open and eclectic pedagogy.

His career has also led him to participate in international workshops in Slovenia with the Samovar Theatre, in Belgium with the European Federation of Circus Schools (FEDEC) and Espace Catastrophe during the UP Festival, as well as in Canada with Cirque du Soleil, focusing on issues of creation, casting and performance.

Stage artist Nicolas Béatrix is also the creator of numerous acts and shows such as Le Voyageur, Tango et Clash, Guitare Rouleau, Le Peintre, Les Los Pomelos Troupe, Les Tracas de Caracas, Thermostat 7 or Un Extraordinaire Fait Divers, currently on tour.

Alongside his artistic work, he has been involved for many years with professional clown schools, drama schools, circus schools, conservatories, colleges, community centers, healthcare facilities, and numerous cultural organizations. He also pursues ongoing training in pedagogy, safety, adapted sports, disability, creativity, mental preparation, laughter yoga, and artistic mediation, ensuring rigorous, compassionate, and constantly evolving guidance.

Training sessions take place in the Openclown tent, located at 285 rue du Léard – Le Champ du Cormier in Beaumont-sur-Sarthe. The site has parking, a covered dining area equipped with a kettle, refrigerator, and microwave. The tent is heated during the winter and cooled during the summer heat, providing comfortable working conditions year-round. Shops are about a ten-minute walk away.

Each day runs from 10:00 AM to 5:00 PM, totaling 6 hours of practice, with a deliberately limited number of participants to 12 to ensure personalized guidance and ample playing time for everyone. The price is €94 per day, including the FFEC license. A €20 annual membership to Openclown is required to participate.

Whether you wish to discover theatrical clowning, re-establish a regular practice, enrich your artistic journey, or simply explore new forms of expression, Openclown's Theatre Clown Training Workshop offers an excellent opportunity to progress in a friendly yet challenging environment. Through teaching grounded in experience, artistic research, and knowledge sharing, these workshops provide a unique space where play, listening, improvisation, and creativity become the driving forces behind a particularly enriching human and artistic adventure.
Softball 70 or 120g
300
200

Softball 70 or 120g

The best-selling toy for beginners! Doesn't roll away, soft to the touch, easy to grasp. Perfect for developing motor skills and confidence.

Soft Chinese plate + chopsticks
400
300

Soft Chinese plate + chopsticks

Essential for beginners! Made of unbreakable, flexible plastic, ideal for success and confidence. Perfect for schools.

Superglass handsticks
970
790

Superglass handsticks

Fiberglass handstick with foam grip handle. Ideal for grind tricks.

NetJuggler Juggling Scarf
250
200

NetJuggler Juggling Scarf

Ideal for children aged 4 and up to discover the sport. Slow flight: understanding rhythm and developing coordination.

Play's PX3/PX4 knob
250
212

Play's PX3/PX4 knob

Round knob compatible with almost every club.

Ball bag, diabolo or clubs
300
200

Ball bag, diabolo or clubs

For storing balls, diabolo sticks, clubs or whatever you want!

Diabolo Cyclone Quartz V2
2990
2500

Diabolo Cyclone Quartz V2

The best in a medium-sized bearing diabolo.

Collar clip for Play clubs
100
100

Collar clip for Play clubs

To attach the handle to the dowel of a PX3, PX3 light, PX4 or EX1 club.

Play's club tip PX3/PX4
250
212

Play's club tip PX3/PX4

Flat tip compatible with almost every club.

Central ring for Play club
150
128

Central ring for Play club

Part that joins the body and the handles of the Play clubs

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